Originally, the technique was used mostly for electric guitars: it facilitates a separation of guitar playing from guitar amplifier processing-a previously recorded audio program is played back and re-recorded at a later time for the purpose of adding effects, ambiance such as reverb or echo, and the tone shaping imbued by certain amps and cabinets. Re-amping is a process often used in multitrack recording in which a recorded signal is routed back out of the editing environment and run through external processing using effects units and then into a guitar amplifier and a guitar speaker cabinet or a reverb chamber. ( February 2017) ( Learn how and when to remove this template message) Please help to improve this article by introducing more precise citations. Much like the way your guitar volume affects the character of the amp, sending the right level out of your DAW can be critical.This article includes a list of general references, but it lacks sufficient corresponding inline citations. Usually the signal you send to the amplifier will be completely unprocessed, however you may wish to experiment with gating, light compression, and EQ. Warming up the sound of the mic on the amp, rather than the DI, is the better option. While there are many fancy direct boxes, if you’re planning on reamping, you will likely find the best results are achieved through the simplest direct capture.Ī tube DI or tube preamp may be too colored and change the sound of your amp. If the performance is fine we just have to tweak the amp. Plan B: All too often we are rushed in the studio, it’s easy to make a mistake with mic position or perhaps just a bit too much overdrive than we’d like.
REAMP STUDIO SIMULATOR
Record with an amp simulator silently and reamp through your big rig later.īudget: There are many professionals with big amp collections offering a reamping services for much less than the cost of even renting the amp of your dreams.Įxperimentation: After you’ve got the perfect take captured you can experiment with different amp, cab, mic and positions as much as you like. The decision to reamp could be for a number of reasons:Ĭonvenience: You may like to write and record guitar parts at 3 an but your neighbors don’t just don’t understand.
Double check your routing to prevent feedback. Record the amplifier as normal with one or more microphones. If the signal is noisy, try the ground lift switch. Check that you’re getting a good signal to the amplifier, adjust the output level to match a live guitar input. Connect the reamp to your pedals or amplifier with a standard instrument cable. No other tracks should be set to this output.Ĭonnect output 3 of the interface to the reamp box with a TRS to XLR-M cable. Once you have the clean DI recorded, set the track’s output to analog out 3 of your interface (you will need an interface with more than just monitor outputs). Hearing your guitar rig play itself can take some getting used to! Without the reamp box there will be an impedance mismatch and loss of tone. The goal of the reamp box is to make the amplifier react in exactly the same way a live guitar would, but with a pre-recorded audio source. A reamp box converts a low impedance, balanced line level signal to high impedance, unbalanced instrument level signal.
A DI box converts a high impedance, unbalanced instrument level signal to a low impedance, balanced mic level signal. It’s often said that a reamp box is just passive DI box in reverse, which is untrue. A reamp box takes clean direct guitar or bass signal and runs it into a guitar amp if needed later on in the production process.
Reamping is a technique used by recording and mixing engineers to process recorded audio with analog hardware, specifically guitar equipment. This article is provided by Audio Geek Zine.
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